Tag: Diva in the Details

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Taking Care of Business

As I alluded to in my last post, my fellow Divas and I have been making good on our promise to do more for our careers. And part of that process this month was a dinner meeting followed by a seminar by Dallas Travers, an award-winning author and actors’ advocate who is incredibly passionate about helping actors help themselves. She provides methods and strategies for actors to get ahead in the business; it’s essentially Marketing 101, only with a left-brained slant that makes the whole thing understandable for those of us who have been told that artists have no heads for business.

I won’t go into the details of Dallas’s seminar here; I think she deserves all the credit, and I’m more than happy to pimp her to my friends (just as Amy pimped her to me). However, I do think that this blog is a good forum to run through a few points that I took away both from my “Diva in the Details” meeting and the seminar itself.

  1. Get out of your own way. This is my biggest problem. Most of the time I don’t think I’m worth the success, so I don’t follow through on leads or auditions. I see it as a sort of subconscious sabotage. I’m hoping the Divas will help me by keeping me accountable for the things I said I was going to do. Even now, as I’m typing this, I realize that I have been meaning to call a certain conductor for about a week now. I’ll call him as soon as I’m done writing this. Really, I will.
  2. Trust in the power of pursuit. I don’t think it really occurred to me that the “power of seven” marketing strategy could be applied to me before I heard Dallas talk about it. But it makes sense. All I have to do is be consistent and targeted in my outreach to industry professionals.
  3. Make a plan. This is my next step. I don’t really know WHO to be contacting within the industry. Dallas mentioned a bunch of acting websites that are good resources to find agents, but I’m not looking for an acting agent. I am looking for a singing agent, and, frankly, I have no idea where to begin. But I need to start somewhere, so maybe I should get off the computer and go make that phone call to that conductor I’ve been putting off. Odds are he knows at least who I should start with.

I do have the audio of our Diva in the Details meeting and will (hopefully) be able to edit it and turn it into a proper podcast. You know, in all my free time. But we talked about those three topics quite a bit throughout our dinner, and I think we managed to have a few really good anecdotes as well. More on that later.

As for me, I didn’t make it through to the Oratorio Society of New York finals. I’m sad, but I am not going to let one setback stop me.

In fact, as I was moping about my failure tonight, I paused and looked around me, with the realization that I was sitting on the Avery Fisher Hall stage with the NY Philharmonic. Not only that, but I was successfully performing some incredibly difficult music that only a handful of people would dare tackle. So I’m not chopped liver.

I have a list of a bunch more competitions that I would like to enter, and there’s no reason I shouldn’t get right back in the game.

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The Littlest Bird

Everyone loves the underdog. From David and Goliath to Rocky, there’s something eminently satisfying about seeing the little guy win.

Are we all underdogs? Most of the time, I certainly put myself in that position. I have terrible self-esteem (like most artists), so I automatically assume everyone I compete against is better than me. I struggle with my perfectionism constantly, and even when I know that I have achieved quite a bit, I still see myself at the bottom rung of the ladder.

But I always thought this mindset was a strength. I was raised to be modest, to never get a “swelled head,” as my dad put it. And I think that modesty has gotten me far, because it has made me work hard to get ahead, never stopping to rest on my laurels.

This week, I attended a seminar by Dallas Travers with my fellow Divas. Although Dallas works primarily with stage and film actors, much of her message carries over to the singing world as well, and I found myself taking furious notes (that’ll be another post entirely). One thing she said resonated with me more than anything else that night: “Your odds are entirely determined by your expectations.”

Your odds are entirely determined by your expectations.

Underdog, long shot, sleeper: what pessimistic synonyms to describe the person who is least likely to win! No wonder I always feel like I’m on the bottom rung if I have placed myself in this role. There I am, being the submissive dog, rolling onto my back as the winner dominates me. The target is placed so far away I can barely see it, much less pull my arm back on the bow to let the arrow fly. Am I asleep, that the contest is almost passing me by before I awake?

My odds
are entirely
determined
by my expectations.

This Saturday, I am singing in the semifinals for the Oratorio Society of New York’s solo competition. If I make it through to the next round, I will sing in the finals at Carnegie Hall* on April 2. Instead of looking at my competition and thinking of them as so much better than me, I don’t want to think of them at all. This competition is not about them; it’s about me, and how I expect myself to perform.

So, how should I picture myself now? Am I still the little guy? The dark horse? No, I think I’m the littlest bird who sings the prettiest songs. I’m the artist I have always striven to become, and it only gets better from here. I love singing, and I love bringing music to people. I love my voice, and I think you will too.

But I still won’t mind if you all cross your fingers for me at 1:50 pm on Saturday, March 26.

*don’t even ask how to get there, I’m practicing already.

This post was an Indie Ink Writing Challenge response to this prompt from Jen O.:

Write anything – any genre, fiction or non, any length – around my favourite metaphor: The littlest bird sings the prettiest songs.

You can read Wendryn’s response to my challenge here.
P.S. – In case you’re curious, this is what I sound like: [audio: http://www.supermaren.com/Music/Theodora_Wings.mp3]

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The Diva is in the Details

This afternoon, I had a very productive conference call with two friends who had decided to join me in my quest for self-improvement. Abigail and Amy are helping to keep me on track (while I keep them on track as well). In addition to giving each other encouragement and ideas, we’re considering creating a podcast to talk about our experiences in the biz (don’t go looking for it on iTunes yet, though!). But the three of us left the meeting energized and looking forward to our next meeting, at a “Boost Your Acting Career” workshop by Dallas Travers in New York next month.

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New Year’s Resolutions

I jokingly posted this tweet on New Year’s Eve, and unfortunately (but not surprisingly) I didn’t win the lottery.

In lieu of a windfall, I didn’t have many other resolutions to offer myself come midnight. Yes, I’ve got to continue with my weight-loss goal. Yes, I need to continue singing more. But are these really resolutions? They’re more like continuations.

Last night, I spoke with my friend Abby, who reiterated to me what I had been saying to myself for a while: I need to audition more. So does she, she said, and we decided we should keep each other on track and accountable in a sort of blogger’s pledge.

So, here we go: starting next Monday, I pledge to make at least 5 new contacts to the singing industry per month. Contacts can include an audition or sending out materials. I’m not exactly sure how to keep track of this on this blog (I’d prefer to keep the contacts confidential, for obvious reasons), but maybe Abby and I can write about what happens as a result of these contacts?

Any suggestions as to how we can keep each other accountable?