Tag: Philadelphia Singers

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Choral Music

I had intended to write this post earlier this week, with enough time to encourage folks to come to last night’s Philadelphia Singers’ concert of music by minimalist composers Glass, Reich, and Bryars…but clearly that didn’t happen! All is well, though, as the concert was very well-attended.

Even though the timing may not be ideal, I still think some of you might be interested in how exactly singers like me learn our music for concerts. As one might expect, there is a great deal of practice involved, especially when an unfamiliar piece is programmed on the concert. In fact, in many times it seems like there is an unproportionate amount of rehearsal when there you spend dozens of hours preparing for only one performance of the piece.

Choral rehearsals for new music can alternately be tedious and frustrating. Not everybody learns at the same pace, and while one person might be weak at counting but strong in hearing unusual intervals, there might be another person in the same choir with the exact opposite strengths and weaknesses. It’s enough to drive a girl to drink!

When I told one of my singer friends all the stuff I was planning on doing in the next month or so, she remarked, “Your voice will be on perma-warm all month long!” It’s true. Between rehearsals, lessons, and my own personal practice sessions, the only time my voice truly gets a rest is when I’m sleeping. And even then, I might be using my voice, as I have a tendency to talk — even sing! — in my sleep. Just ask Ray.

Coming tomorrow: how I prepare for solo stuff…most specifically for my recital this week.

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Practicing new music

One of the reasons I haven’t been as active in my blog recently is that I don’t want to bore you with the common drudgery of my daily life (get up, exercise, work, practice, more work, rehearse, go to bed, get up and start the whole day over again). But it occurs to me that many of you don’t really know much about the process of practicing music, so I thought I’d give you a little sneak peek into the mind of this singer as she learns her music.

This is the music I have to perform within the next 6 weeks:
(N.B. – I am not including any of the music I perform on a weekly basis at St. Mark’s Church, because it would just make the list too long and complicated, but if you would like to see it, you can go to the St. Mark’s website and see for yourself)

*I am familiar with the pieces marked with an asterisk.

Quite a list, isn’t it? Some of the pieces are easier to learn than others, and many of the choral pieces are difficult to practice on one’s own, because of the need to hear other parts. As you scroll through the list, I’ll bet there are only a few pieces on there that you recognize, if any! It’s the same for me, too, which means I have to start from scratch on almost every piece I perform.

So in the next few days, I’ll be sending you updates on how the music-learning process has been going for me: its highs as well as its lows. Hopefully it will give you some insight into the singer’s brain. (It’s scary in there!)

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Working Out and Singing

My friend Amy suggested that I write a post about my experience trying to keep up with the Body-for-LIFE Challenge while also rehearsing and performing at the Opera Company of Philadelphia’s production of Madama Butterfly, so here goes.

This year, I have had the great good fortune to be able to make my money singing — and nothing else. That situation made this past summer very lean (and a little scary), but once September came around, I was happy to see my paycheck come in from the Opera Company. I had a small role in Madama Butterfly (I played Kate Pinkerton, the American wife), so my checks were larger than I am used to just being in the chorus, which makes the scariness of the summer a little more tolerable.

I only mention this because it means I’ve also had the flexibility in my schedule to work out every day, something that I may not have had time for a year or two ago. The Body-for-LIFE guidelines suggest working out 6 days a week, which is no easy feat if you’ve got to get up early, go to your day job, then go to rehearsal, and come home exhausted. My day job was opera rehearsals, and since my role was so small, I wasn’t even called to very many of those! So I eased into a morning workout routine that has served me well.

Being gone from the house for such a long time, especially around dinner time, does wreak havoc with one’s meal plans. I tried the best I could, bringing protein bars in my purse to help with hunger cravings and trying to buy healthy salads instead of fatty tuna melts (my kryptonite), but I’m sure that one of the reasons I didn’t lose weight nearly as quickly over the five weeks of rehearsing and performing Butterfly is that I didn’t eat quite as conscientiously as I would have otherwise.

What also didn’t help is that, as a principal artist, I was invited to receptions and dinners by the company (to meet donors, etc.), and of course there was food and wine at all these events. I think there may be something about being an actor that turns on this pig-out mentality in my head when free food is available. Perhaps subconsciously we actors think that this free meal might be our only meal of the day (and there have been times in my life when that has been the case!), so we might as well fill ourselves up. Either way, it was difficult for me to turn that sensor off in my brain, and I think there were a few days there where I ate way more than my allotted caloric intake.

My costume helped a little: I was wearing a very heavy skirt (it must have weighed about 30 pounds!), and my dressing room was on the third floor, so walking up and down the stairs in my costume helped burn at least a few of those calories. And even though I was starting to get too small for my jeans in the real world, my costume stayed on just fine…probably due to the fact that I was slowing my weight loss with all that free food!

Now I’m in rehearsals for Philadelphia Singers‘ season opening concert, Bach and Beyond. I’m back to rehearsing at night, but I still have my days free. That means I can stick to my routine of a workout first thing in the morning, followed by a protein shake for breakfast. I eat lunch at home, and, if I can, I also have an early dinner at home before I go to rehearsal. I really like Amy’s idea of making sure that I have at least one salad a day; it helps keep my fiber intake up, as well as being a low-fat, low-calorie meal choice. Plus, I really like salads.

Don’t think I’m sitting around doing nothing else during the day, though! I’m trying to run a business and learn music for a recital I’m doing in March (featuring works by Philadelphia composers Benjamin C.S. Boyle and Jeremy Gill), not to mention my ever-increasing work I’ve gotten myself into for The Crossing. I’m still as busy as ever.

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Leaving on a Jet Plane

Previously: Seahorses

And then began the long flight home.

As I was drafting this post, I considered writing another long diatribe about the airplane business and the state of flying these days. But I decided it would be redundant, since my description of the flight to Hawaii covered most of what I wanted to say.

We were packed in overbooked flight, and once again, got very little sleep — Ray less so than I, since he was feeling sick the entire flight back. We had a layover in Phoenix, where there were so many people waiting for their overbooked flights that we had to sit on the floor.

A group of college girls were seated on the floor next to us, talking to some classmates of theirs who had been on our plane. They had gone to Vegas for Spring Break and now were having a hard time getting home because of overbooked flights. They had been stuck in Phoenix for a day and a half and had even been sent onto a plane going back to Vegas. I breathed a sigh of relief that we weren’t in their shoes, and I started wondering about the fact that we turned down the airline’s offer to give us free tickets to give up our seats on the plane.

They announced on the P.A. system that they were looking for passengers to give up their tickets back to Philadelphia in exchange for a free roundtrip domestic ticket (within the contiguous states, of course). Well, we’d already given up our free Hawaiian tickets…why take a domestic ticket?

Sigh. We got on the plane and returned to Philadelphia as scheduled, just in time for me to go to my Philadelphia Singers rehearsal.

And thus endeth my tale of Hawaiian adventures. For now.

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Another Year, Another Dollar

Happy New Year! I know I should probably write something about new year’s resolutions and all that stuff, but this year, I’ve decided that I’m not going to have any resolutions, since I never keep them anyway.

I’ve been exceedingly busy this past Christmas season, what with performing in three Philadelphia Singers concerts and one Crossing concert, not to mention Christmas caroling. Oh, and did I mention I’m taking over said Christmas caroling company? Yeah, I was doing administration, HR, and payroll, while the current owner did sales. The deal isn’t done yet, but hopefully next year I’ll be running the whole thing myself, and by the time December 2008 comes around, it’ll be a well-oiled machine. Hopefully.

I did manage to get myself sick sometime around Thanksgiving, and I never really shook the after-effects of the bug. I’m still suffering from post-nasal drip, which is making me cough, and thus harming my voice. Very, very bad news, folks. My biggest problem is that I normally have quite a bit of time after Christmas to rest up and heal for the next round of concerts, but not this time! I’m currently in rehearsal for a Crossing concert with Piffaro (Jan. 5 & 6…come see us!) and then a barrage of Philly Singers performances of a Jennifer Higdon world premiere. So I’ve been in rehearsals since the day after Christmas, and I’ve only had New Year’s eve and New Year’s day off for some much-needed rest.

Of course, during all this craziness, my cat, Scratchy (no, not Itchy, who had the toxoplasmosis…Itchy is better, by the way, although his head is still a little bit sideways and probably will be permanently), got a urinary obstruction (essentially bladder stones), and we had to take him to the emergency room. He had to stay there for two nights with a catheter up his you-know-what, which, according to the attending vet, caused him to be “grumpy.” No kidding. Anyway, he is home now, and we have to keep both him and his brother (since they eat each other’s food) on a special diet formulated to raise the acidity of the urine in order to break up the crystals. They also have to be fed only canned food (it hydrates them and dilutes the urine) for the next two weeks, and man, that stuff is expensive!

Oddly enough, from all I’ve read and all the vets have told me, urinary crystals, or FLUTD, are pretty common in male cats of Scratchy’s age (he’s 5 years old). But when I went into the pet store, out of the myriad of cat foods, I only found one brand that made a canned formula suited to his condition. Oh, there were about two or three different dry types, but because I’ve been cautioned to keep Scratchy as hydrated as possible during the next two weeks, canned is all he should eat. So Purina has the monopoly on cats with urinary tract disorders. It’s either that or get the really expensive prescription stuff from the vet’s office. Oy.

Ray keeps telling me the cats are going to have to go out and get themselves jobs if they’re going to keep spending all of our money. I’m beginning to think he’s right. It’s definitely a good thing that I’m working so much.